江苏省扬州市高邮市2023-2024学年高三下学期开学考试英语试题(含解析)
最近更新 2026年06月04日
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江苏省扬州市高邮市2023-2024学年高三下学期开学考试英语试题(含解析)

2025-02-04 高三下 0 679
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2023-2024学年度第二学期高三年级期初调研
英语试题
本试卷满分 150分,考试时间120分钟。

第二部分 阅读(满分 50 分)
第一节 阅读理解(共11 小题; 每小题2.5分, 满分37.5分)
阅读下列短文,从每题所给的 A、B、C、D四个选项中,选出最佳选项。
A
Winter 2024 Story Contest
OUR WINTER CONTEST is open to all fiction and nonfiction writers. Entries must be previously unpublished, no longer than 15,000 words, and must not have been previously chosen as a winner, finalist, or honorable mention in another contest.
Narrative winners and finalists have gone on to win Whiting Awards, the Pulitzer Prize, and the Atlantic prize, and have appeared in collections such as Best American Short Stories, Best American Non-required Reading and many others.
As always, we are looking for works with a strong narrative drive, characters we can respond to, and language, situation, and insight that are intense and total.
We welcome and look forward to reading your pages.
Awards: First Prize is $2,500, Second Prize is $1,000, Third Prize is $500, and up to ten finalists will receive $100 each. All entries will be considered for publication.
Submission Fee: There is a $27 fee for each entry. With your entry, you’ll receive three months of access to Narrative Backstage at no cost.
Timing: The contest closes on March 31,2024, at midnight, Pacific Standard Time.
Judging: The contest will be judged by the editors of the magazine. Winners and finalists will be announced to the public by April 30,2024. All writers who enter will be informed by email of the judges’ decisions, which will be final. Please make sure info@narrativemagazine.com is in your address book and your email settings permit messages from www.narrativemagazine.com.
Submission Guidelines: Please read our Submission Guidelines for contributions formatting and other information.
21. What is required of the entries?
A. They should be related to winter 2024.
B. They should be based on real-life events.
C. They should be submitted before April 30.
D. They should be limited to 15,000 words.
22. What will each of the participants get?
A. A copy of excellent narrative works. B. Access to the Pulitzer Prize.
C. Free visits to Narrative Backstage. D. A collection of winners’ works.
23. How can participants know the contest’s final results?
A. By entering the official website. B. By checking an email.
C. By attending the awards ceremony. D. By making a phone call.
B.
My wife and I had decided on Ireland for our first big family trip. It’s been about a hundred years since my Irish ancestors left County Carlow for Canada. I’m so-so on U2 (a famous Irish-rock band). Irish pubs in Ontario don’t inspire me much. The most “Irish” thing about me is a ginger(姜黄色) beard and an occasional drink. My excitement for this trip was firmly rooted in the opportunity to drive on the “wrong” side of the road for a couple of weeks.
We arrived in Dublin from the overnight flight with our two kids. After picking up our rental car, we headed west. Wherever we went, I felt an undeniable sense of closeness with strangers. It wasn’t just the faces that looked like they were pulled out of my family’s photo albums. I felt at ease with the simple way of expression here, too and the shared appreciation for a self-deprecating(自嘲式的) joke.
I’ve recently learned the word “anemoia” means missing a time or a place you’ve never known. For me, the word describes the kind of longing I encountered on this trip. I’ve never experienced a longing to know Ireland or even my family’s history beyond a couple of generations. But during an hour-long trip to Inishmore Island, with the North Atlantic waves knocking us about, I felt a desire to repair the connection to my ancestors.
One day on the island, when the rain got worse, we chose a tour bus to take us to Dun Aonghasa, a 3,000-year-old stone fort(堡垒). As I walked around, I started to feel excited. By the time we entered the innermost ring of the fort, I was swimming in enthusiasm for our trip. Dun Aonghasa was full of meaning I couldn’t understand but sensed was valuable to me. For the first time in my life, I could personalize something ancient. I felt that I belonged. Yes, Ireland had many memorable things. But it was a pile of rocks that gave me the ancestral awakening I needed.

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